Helen Dewhurst is a multi-disciplinary artist, designer and creative technologist investigating the experiential interplay between human body, technology and environment. For her recent project she is collaborating with Jack Kingslake(sound), Jon Armstrong (lighting) and Baran Elitez (data) to develop a *data-informed spatial sonic composition, working with material gathered along migration routes.
limited capacity work in progress sharing on Tuesday 29th April
‘Songs of Borderlands’ is an immersive sonic installation environment, a memorial to lives lost at borders. A data driven soundscape plays records of lives lost along global migration routes, particularly focussing on lives lost at sea in small boat crossings.
The installation acts as a memorial to individuals often lost without trace, without ceremony or identity.
As audiences explore geographical space, the piece offers opportunities for ‘embodied listening’*, for individuals to experience migration records in a sensory way, listening with their bodies - providing alternative, expanded methods of listening.
Connecting in multisensory ways, the aim is to foster raised awareness, collective accountability and increased humanitarian empathy for the ongoing social impact of sea crossings and enforcement of borders, calling for safer routes for those seeking sanctuary.
Helen says:
We are currently researching presenting this data/psychoacoustic composition as an immersive sonic environment, creating an installation context for the sound sculpture, possibly additionally also for performative elements
Working with this data-sound system, during the Residency we plan to primarily work compositionally, creating a prototype spatial sound piece, researching recorded sounds and immersive experience through methods for ‘sensory’, ‘embodied-listening’.
Below is a more artist detail on the nitty gritty of their work plan for those interested:
Session 1: Fri 4 April
For the first session Helen Dewhurst & Jack Kingslake will focus on compositional elements of the sound-design, particularly the creation of ‘sea-bells’.
As a multi-channel composition, the composition represents lives lost along different migration routes. We plan to test playing the data-composition via multiple speakers setup in space, representing these geographical ‘routes’ on different speakers, testing these spatially, both ‘up close’ and ‘further away’.
We also plan to set up an immersive ‘embodied listening station’ for one of these ‘routes’, where the sound plays both above and below the listener - the location from above and the chimes from beneath - via a ‘floor speaker’ for sensory ‘feet + bodily listening’.
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Session 2: Wed 16 April
For the second session, we also plan to research possibilities for data driven lighting and/or visual elements to the installation, consulting on these with immersive lighting designer Jon Armstrong.
We plan to test link this ‘listening station’ in with sound/data activated lighting, to animate this experientially.
We will also test the potential to run visual animated responses via Touch Designer / projection.
The collaborative residency is as part of Helen Dewhurst's ACE 'Develop Your Creative Practice' grant investigating immersive experience, embodied and spatial listening and notions of the ‘collective shadow’. It is part funded via UK Shared Prosperity Fund and Arts Council England DYCP Grant.
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